![]() The 5-inch touchscreen on the Ninja V offers a lot more real estate for viewing the footage as you shoot. To top all that off, the Ninja V can record 12-bit Raw video from any supported camera! The Atomos Ninja V Has a Killer Screen It's similar to the difference between shooting Raw and JPEG still images - the RAW files have much, much more data for you to work with. What's more, the Ninja V can save Raw video output as ProRes Raw direct from the camera, which results in an incredible difference in the footage. It's just a better setup to get the highest-quality videos. Additionally, if you're shooting Log footage, external output will give you the best possible dynamic range. So, by externally recording, you can record much more color information. While you can grade 4:2:0 8-bit Log video, the color information simply isn't that great. But if you output that video via HDMI, the quality often increases to 4:2:2 in either 8-bit or 10-bit. Many cameras on the market today shoot internal 4:2:0 8-bit video. Video Quality is Increased by Using the Atomos Ninja V Likewise, if you're shooting video at an event, that time limit might be way too short.īy using an Atomos Ninja V, you can extend that recording time - it'll keep recording so long as your camera is powered up and you have space on an SSD drive. If you're doing an interview, 30 minutes might not be enough. Many modern mirrorless cameras offer incredible video capabilities, but limit you to 30 minutes (or so) of recording time. One of the primary reasons why you might want to invest in an Atomos Ninja V is that it allows you to get around the video recording limits on your camera. Why You Need an Atomos Ninja V: No Recording Limits Let's have a deeper look at these and other reasons why a monitor and recorder like the Atomos Ninja V is a good investment for you. These are but a few advantages of using an external monitor. It is just all around a smoother and much higher quality experience.If you want to elevate the quality of the videos you create, a good way to do so is to add an external monitor and recorder.ĭoing so opens up a wealth of monitoring tools, not to mention having a much larger and brighter monitor for keeping tabs on what you're shooting.Īnd on top of that, an external recorder allows you to get around those pesky recording limits that so many cameras have. It can be operated by a separate sound engineer without bothering the camera operator. Additionally, you can still use the output from the external recorder and feed it in to your mic input on the DSLR if you want to have audio on your rough footage (though I still recommend using the actual audio files from the recorder for your final audio.) You don't need to have it connected to your camera if your camera needs to be moving. Monitoring is limited, the audio is heavily compressed and the connection is not secure and has to be plugged in to your camera.Īn external recorder, such as something in the Zoom H#n series or higher end devices with similar function provides much cleaner audio as well as the ability to work with a much wider variety of high quality microphones. It lacks key features like phantom power and balanced audio as well as lacking a high quality audio interface. The "internal audio recorder" on your camera is nothing more than a consumer level audio jack with a minimal quality capture capability. That said, yes, you want an external audio recorder. The H5n or H6n are both better options available now and generally better value unless you are getting a used H4n that someone is selling so they can buy the 5n or 6n. It is still a huge step up from the on-board audio, but it generally isn't the best value anymore. External audio gives you much more freedom of movement to place your mic in the best position to pick up sound. This isn't an issue when the mic is sitting on the camera, but if you want a distance shot this becomes a problem. When your mic is tied to your camera, you'll need to string cables from the mic to the camera. The final advantage I'll list here is portability. External audio devices also give you better control over gain and have better support for audio monitoring. You always want uncompressed audio unless you are tight on space. Most audio devices have a switch for uncompressed. I'm not sure about the H4n, but I know the H5 and H6 support multiple inputs as well as interchangeable capsules.Īnother advantage is quality and control over quality. A big advantage is the number of audio inputs and the ability to record each of those inputs as separate tracks, allowing you to do the mixing in post. There are a variety of reasons to have an external recorder depending on the size of your production.
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